We are in the age of a revolution. The old digital single lens reflex (DSLR) is being replaced by the technologically more advanced mirrorless system camera (DSLM). One manufacturer that backed this horse early on is Sony.
As early as 2012, Sony launched the first two mirrorless system cameras with full-frame sensors, the Alpha 7 and Alpha 7R. Today, Sony is at the forefront of DSLMs thanks to this advance in development.
During this time, some manufacturers have specialized in producing lenses for the associated E-mount. The three largest and most well-known are Sony, Tamron and Sigma.
Even if the lens market is less full than that for SLR cameras, a lot has happened over the last few years. Almost every month, various manufacturers announce new lenses for the E bayonet.
To help you find the right lens, we created this guide. Whether you are a beginner, advanced or professional, in our overview, you will find the 12 best wide angle lens for sony E mount
Sony SEL-20F28 E-Mount 20mm F2.8 Prime Fixed Lens
Sony E PZ 10-20mm F4 G APS-C Constant-Aperture Power Zoom G Lens
Sigma 19mm f/2.8 DN Lens
Sony - E 10-18mm F4 OSS
Samyang 16 mm F2.0 Lens
Sony SEL16F28 E Mount - APS-C 16mm F2.8 Prime Lens
Samyang 12mm F2.0 AF Ultra Wide Angle Auto Focus Lens
Samyang 12 mm F2.0 Manual Focus Lens
ZEISS Touit 2.8/12 Wide-Angle Camera Lens
Sony E 11mm F1.8 APS-C Ultra-Wide-Angle Prime
Samyang 10 mm F2.8 Lens for Sony-E
Laowa 9mm f/2.8 Zero-D SLR Ultra-Wide Lens
Best Wide Angle Lens for Sony E Mount (Reviews)
Here you will find the best wide- angle and ultra-wide-angle lenses for Sony’s APS-C system cameras.
In addition to Sony’s own lenses, some third- party manufacturers (e.g. Sigma or Samyang) also offer interesting wide-angle lenses for the Sony E-mount.
1. Sony 20mm F2.8 Prime – Wide Angle Pancake
The Sony 20mm F2.8 is a pancake-styled, incredibly portable wide-angle lens.
The lens’s small size (only around 2 centimeters long) is both a benefit and a drawback. One of the best features of the Sony 20mm F2.8 is its compact size, making it ideal for use with compact cameras like the Sony Alpha 6000 and similar models.
However, the compromises in picture quality that come with a small form factor are also worth considering.
In particular, the edges of the image suffer a noticeable loss of sharpness when the aperture is wide open. However, the sharpness is vastly improved by stopping down the lens by around two f-stops.
The lens’s focal length of 20 millimeters is wider than those of the competing models.
- Relatively affordable.
- Slim and light.
- Works with fisheye and wide angle converters.
- Sharp optics.
- Wide field of view.
- No stabilization.
- Omits dust and splash protection.
2. Sony E PZ 10-20mm F4 G – Wide Angle With Power Zoom
Midway through 2022, Sony introduced an updated wide-angle zoom lens with an E-mount for APS-C. The Sony 10-20mm is designed for both still photographers and filmmakers alike thanks to its power zoom, image stabilizer, and constant f4 aperture.
Thus, the lens matches the Sony ZV-E10, an APS-C camera designed for vloggers. A major drawback, especially for movies and vlogging, is the need for an image stabilizer.
- Quick, quiet linear autofocus
- Minimal focus breathing
- Slim, light build ideal for use on gimbals
- Power zoom control for video
- Dust- and moisture-resistant construction
- Mushy sunstars
- Omits optical stabilization
- No on-lens aperture control
3. Sigma 19mm f/2.8 DN – Currently only available on a limited
The Sigma is not a wide-angle lens at 19mm, but it does a great job with landscapes. The Sigma 19mm is a bargain lens with excellent performance (better than the standard kit zoom lens). While it has some limited availability now.
I have the Sigma 19mm and the Sigma 30mm for E-Mount, and I am completely sold on their quality.
The lens lacks an image stabilizer, but its 2.8 maximum aperture still makes it a capable daylight shooter.
With the aperture wide open, the quality is quite good. You can safely use it if you’re a landscape photographer searching for an inexpensive lens that produces excellent results.
Both black and silver versions of the lens are on offer. This lens is compatible with both Micro Four Thirds and Sony E-mount bayonets. Make sure you get the right lens bayonet when you buy it.
- Hood and soft case included.
- Available for Micro Four Thirds and NEX cameras.
- Impressive center sharpness.
- Modest aperture.
- No image stabilization.
4. Sony – E 10-18mm F4 OSS – Ultra wide angle zoom lens
Only the Sony – E 10-18mm F4 OSS can be used for both ultra-wide and wide-angle photography, as it has a focal-length range of 10mm (= ultra-wide angle) to 18mm (= wide-angle). Currently, this is the only Sony E-mount (APS-C) very wide-angle zoom lens on the market.
The constant F4.0 initial aperture is an excellent choice. Therefore, it is relatively bright for a zoom lens, and its image stabilizer allows it to be put to good use in the video industry as well.
A wide-open aperture produces a sharp image, and increasing the aperture further improves the sharpness.
The Sony – E 10-18mm F4 OSS is a high-quality zoom lens. This is reflected in the price, which comes at a healthy $498.00. This lens is certainly not cheap, but it will be well worth the money for serious landscape photographers.
- Optical stabilization.
- Light and compact.
- Ultra-wide angle of view.
- Strong optics.
- Supports front filters.
- Some distortion.
- Omits dust and splash protection.
5. Samyang 16 mm F2.0 Lens for Sony-E
Recently, Samyang has become somewhat of a “secret weapon” among photographers.
The brand may not have the same amount of “trust” as Sigma, Tamron, and co., but it does provide several lenses with excellent picture performance. Included in this is the Samyang 12mm f/2.0.
Besides Samyang, Walimex is another brand name for these lens manufacturers (or Rokinon). As a result, there is absolutely no difference between the Walimex Pro 16mm and the Samyang 16mm 2.0.
This lens is not ultra-wide-angle because of its 16mm focal length. This lens requires the user to manually set the aperture and focus. A manual lens, then. That means the lens isn’t communicating with the camera in any way.
While this may seem like a huge drawback at first, the ease of usage of this lens more than makes up for it. Focusing to a distance just short of infinity and choosing an aperture may usually be done in a single quick motion on the lens.
Depending on the mode, the camera will determine the proper exposure duration for the shot.
This lens is at roughly $299, despite being manual. Nonetheless, what causes this behavior? The lens’s image quality is excellent, to put it simply.
In addition, the brightness level is 2.0, which is extremely bright. At wide open apertures, distortions (wide-angle distortion) are nearly nonexistent, and image clarity is excellent all the way to the image boundaries.
The quality of the craftsmanship is also quite outstanding. This lens is not exactly lightweight at 575 grams due to the durable metal housing.
This helps put the cost in context, and the result is a reasonable price for the quality provided.
Those who want to shoot solely in automatic mode will find this lens to be unsuitable. There have also been reports of compatibility issues when watching videos. But if photography is your major interest, you won’t be disappointed with this lens’s results.
There are a variety of lens mounts compatible with this lens. Picking the right lens bayonet is essential before making a purchase.
- Nice price.
- Available for multiple systems.
- Quite sharp.
- Doesn’t cover a full-frame image sensor.
- Manual focus isn’t for everyone.
6. Sony 16mm F2.8 – Pancake Wide-angle Lens
Let’s stick with a 16mm lens. On the other hand, we are moving to a new pricing range: The Sony 16mm F2.8 only costs about $205, making it an affordable option. A maximum of 2.8 is available for the fixed focal length.
The Sony 16mm F2.8’s main benefit is the pancake-style design’s exceptional portability. The Sony Alpha 6000 with this lens can be concealed in a coat pocket.
While there are benefits to the compact design, there are also some drawbacks. It was hard to convince me that the model’s wide-open aperture produced the best images.
In most cases, the imaging performance was only good enough once I stopped down to f/6.3 or below.
However, this drawback is mitigated somewhat in practice because you typically stop down in landscape photography to achieve the highest levels of sharpness and depth of field.
The camera’s low-light performance did not convince me because the image quality at a wide-open aperture needed to be better for my taste. The only solution is to use a tripod or rest the camera on a stable surface.
Therefore, the Sony 16mm F2.8 is a lens with benefits (a lightweight construction and portability) and drawbacks (diminishing image quality) (image quality at the edges does not perfect when the aperture is open).
- Very small and light.
- Wide angle of view.
- Limited to contrast focus.
- Not sharp until f/5.6.
- Dated optics.
7. Samyang 12mm F2.0 Auto Focus – Value for Money
Our budget-friendly pick is the brand-new Samyang 12mm f/2.8 autofocus ultra-wide lens. It can be yours for $329 (brand new) and has an f/2.0 maximum aperture.
Therefore, this lens is quite flexible since its low close-up limit of 19mm and strong light intensity make it suitable for landscape photography, astrophotography, and even wide-angle portrait photos.
Using the 62mm filter thread, neutral density (ND) filters can be fitted to allow for long exposures throughout the day.
The lack of a built-in image stabilizer in the lens is a major drawback. In this range of focal length, you can’t help but see it while filming, and you might miss it.
- Awesome price to performance ratio
- Good coma performance
- Includes hood and case
- Low distortion
- Coma well controlled
- Improved aberration control
- Quite sharp in the center and midframe wide open
- Good flare resistance
- Hood doesn’t reverse for storage
- Samyang lenses don’t seem to get full in-camera correction support
- Corners a little soft
8. Samyang 12 mm F2.0 Manual Focus
You should expect similar results with the Samyang 12mm as you would with the Samyang 16mm. The lens’s aperture and focus must be adjusted by hand because it is manual. Depending on the mode, the camera determines the correct exposure time automatically.
This lens, with a 12mm focal length, is an ultra-wide-angle option. The lens is exceptionally bright with an initial aperture of F2.0, and the image quality is convincing.
While the overall brightness is low, the image quality is superb (you can find more information and test images in my Samyang 12mm test report ). The level of distortion generated by design is very good, despite the wide field of view.
Intriguingly, despite having a wider focal length and comparable image quality to the Walimex Pro 16mm, this lens is about $60 cheaper. Because of this, the cost-effectiveness is excellent.
This lens is compatible with various camera mounts, not just Sony’s E-Mount. The video mode of this lens may be problematic. As a result, it works well as a camera lens but not for video. You can choose from a black or silver lens.
9. ZEISS Touit 2.8/12 – High End Ultra Wide Angle
If you’re looking for a more professional option than the Samyang 12mm, consider the Zeiss Touit 12mm. The lens, characteristic of Zeiss standards, provides superb resolution and imaging performance. Similarly impressive is the processing quality.
Naturally, this is reflected in the price, about three times as much as the Samyang 12mm lens (at $999). It’s not better than the Samyang in every way: It could be more brightly due to its maximum aperture of 2.8.
The lens is not sealed. Therefore it is vulnerable to dirt and water droplets. But for the price, I would have expected that.
- Reasonably wide aperture.
- Ultra-wide field of view.
- Includes lens hood.
- Good center sharpness.
- Needs to be stopped down for edge-to-edge sharpness.
10. Sony E 11mm F1.8 – The Light Giant
Sony’s latest E-Mount 11mm F1.8 ultra wide-angle lens is not only visually striking, but also incredibly well-lit. The initial evaluations were unanimously favorable; the lens had excellent sharpness and excellent imaging performance overall.
Because of its quick f1.8 aperture, it is the ideal ultra-wide lens for astrophotography.
- On-lens function button
- Wide-angle view on APS-C cameras
- Dust and splash protection
- Lightweight, F1.8 prime
- Almost no focus breathing
- Quick, quiet autofocus
- Some chromatic aberration visible
- Hard-edge bokeh might be divisive
- Ghosting in backlit scenes
- No anti-smudge fluorine glass coating
11. Samyang 10mm F2.8 – Extreme Ultra Wide Angle
Samyang’s 10mm lens (officially named the Samyang 10mm / F 2.8 ED AS NCS CS for Sony E) has a ridiculously wide angle of view (the angle of view thus corresponds to approximately 110 degrees). That’s a lot of stuff in the image!
This lens’s low production cost is partly due to the fact that it is a fully manual lens (no autofocus, focus ring on lens). The lens’s largest open aperture of f/2.8 means it’s suitable for astronomical photography.
- Smooth-action focus ring
- Wide viewing angle on crop-sensor cameras
- Fast f/2.8 aperture
- No autofocus
- No filter attachment thread
12. Laowa 9mm f/2.8 Zero-D
The Laowa 9mm for Sony E-Mount is the lens with the broadest angle of view in this comparison; it is also available for the MFT mount.
It is not a fisheye lens but rather a traditional ultra-wide angle lens, even though it has an extremely wide angle.
The 9-millimeter focal length gives your photographs a one-of-a-kind appearance that is difficult, if not impossible, to achieve with any other lens.
This lens is also a manual ultra wide-angle lens, which means that the aperture and focus may be adjusted directly on the lens itself.
This is not a significant drawback in the wide-angle range because you can easily set it to a point just before infinity, at which point everything will be in focus regardless of the setting.
Given that it has a maximum aperture of f/2.8, the Laowa lens is also an excellent choice for use in astronomical photography.
- Smooth manual focus ring.
- Light and compact.
- Metal barrel.
- Ultra-wide field of view.
- Limited to full-stop aperture adjustment.
- Not truly zero distortion.
- Manual focus isn’t for everyone.
FAQs: About Wide Angle Lens for Sony E Mount
People who want to read this article: Best Lens for Sony A7c
What is the best wide angle lens?
The best wide-angle lens for the Sony Alpha 7 range is the Sony – E 10-18mm F4 OSS. It has a great focal length range, is bright and super sharp.
Which lenses are wide-angle?
Lenses with a small focal length, such as 20mm, belong to the wide-angle lenses. With these lenses, you have a large picture section, or you get many pictures.
What is the focal length of a wide-angle lens?
All full-frame lenses in the focal length range from 10mm to 35mm are wide-angle lenses. With the APS-C lenses, it is the focal length range from 10mm to 24mm.
What different wide-angle lenses are there?
A distinction is made between normal wide-angle, ultra-wide-angle, and special fisheye lenses.
Which lens is for landscape photography?
The most used lenses for landscape photography are the wide-angle lenses because you want to get as much of the environment in the picture as possible.
Most wide-angle lenses designed for the Sony E-mount bayonet have a fixed focal length. The Sony E 10-18mm F4 OSS ultra-wide-angle zoom lens is the only notable exception.
As our top recommendations, I’d want to single out this lens, the Samyang 12mm AF and the Samyang 12mm (manual).
Though expensive, the Sony E 10-18mm F4 OSS is the only ultra wide-angle zoom lens (with image stabilization) on the market, making it a versatile and effective filmmaking tool.
The most up-to-date lens in this evaluation is the Samyang 12mm AF 2.0. It’s not only cheap but also quite brilliant. In addition, its 12 mm focal length makes it a great choice for a fixed ultra wide-angle lens.
One last thing to mention is the Samyang 12mm f2.0 manual focus lens, which comes at a surprisingly low price. The super wide-angle lens stands out for its high light intensity, 2.0 aperture, great sharpness and low distortion.
Despite being entirely manual, this lens is simple to operate. If you’re interested, here’s a report on my experience with the Samyang 12mm.